See you at Camp Teach & Learn!

Will you be at Camp Teach & Learn next week? If so we look forward to seeing you at the following sessions!

Reflect, Integrate, Demonstrate: Student Digital Portfolio Pilots
Wednesday 24 May 2:30 PM to 4:00 PM

As we build a curriculum that asks students to reflect upon and integrate their coursework and co-curricular activities, several members of our teaching and learning community are experimenting with digital portfolios as a space for this work.  Through digital portfolios, students can archive artifacts that document and demonstrate their path through their education.  Narrative explanations and curated examples make it clear why they selected courses, a major or pathway, as well as what they learned and accomplished.  Faculty and staff who have used portfolios or participated in the pilot will share their experiences and sample student portfolios will be demonstrated.  We will end with a discussion and leave with ideas for future implementations.

Session leaders: Laura Little and Jessica McCullough; discussants include Amy Dooling, John Madura, Ariella Rotramel, and Sarah Queen.

Open Access & Digital Commons
Thursday 25 May 10:30 AM to 12:15

Did you know that most journals allow you to make previously published articles freely available over the internet?  Archiving your research in an institutional repository like Digital Commons makes it accessible to researchers who don’t have access to expensive databases and can make it more readily discoverable by those who do. Bring a c.v. or list of publications to this workshop and we will show you how to determine which articles can be made open access and how we can make your research as widely available as possible through Digital Commons.  We will also discuss some of the author features that make Digital Commons a practical, useful, and appealing platform for your research.

Developing Digital Humanities Projects:The Why and the How of Digital Scholarship
Thursday 25 May 1:30 PM to 3:30 PM

Does digital humanities (DH) research have the same outcomes as traditional research? Does DH appear to require more effort to reach the same end goals? Why do digital humanities?

This session will focus on how digital scholarship projects can enhance student engagement and lend students useful new skillsets (both technical and critical), all while helping you achieve your pedagogical goals. Hear from faculty about why and how they integrated digital projects—mapping, online exhibitions, and computational analysis of data mined from digitized texts—into their humanities courses, what worked well, and what students gained from the experience.

Discussants include: Lyndsay Bratton, Karen Gonzalez Rice, Emily Morash, and Ariella Rotramel.

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Global Classroom: Teaching about Refugees in the Age of Trump

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I am teaching GER/GIS/GWS 262: “Refugees in Europe: Germany” for the second time this semester. Obviously the recent change of government in the United States has impacted this course in many ways. As we all know, on January 27th, President Trump signed the Executive Order 13769 “Protecting the Nation from Foreign Terrorist Entry into the United States,” limiting – among many other things – the number of refugees to be admitted into the United States in 2017 to 50,000 and suspending the U.S. Refugee Admissions Program for 120 days. As a consequence, the course has become much more comparative in nature, with students discussing the impact of the Executive Order and drawing parallels to Germany’s refugee policy. Right after the Executive Order was signed, students – as an online assignment on a snow day – wrote a letter to an (imaginary) friend or (imaginary) family member or local, state, or federal elected official, discussing the legal implications of the recent Executive Order in light of the 1951 Refugee Convention and its 1967 Protocol.

Another assignment in this class that has been heavily impacted by the above-mentioned Executive Order was the Twitter assignment. Throughout the semester, students are asked to tweet 4 times a week about our course readings and news sources regarding the situation of refugees in Germany and Europe. While students’ privacy is always a major concern, the recent changes in U.S. Customs and Border Protection that make social media accounts part of the screening process clearly affect the privacy and safety of non-US citizens more than ever:

If you travel, know that CBP will open all of your electronic devices (laptop, phone, tablet) and examine the contents. We know of instances where individuals have been turned away for being perceived as “anti-Trump.” If you delete the content on your phone, they will ask for your email username and password. They will do the same for all of your social media accounts. –  a newsletter from Global Immigration Partners, sent to me on January 31st.

Again, this is something most of us are probably aware of, but a threat that, in a global classroom with extensive online and social media components, poses itself with particular urgency.

At the same time, the Twitter assignment this semester has triggered even more engaged discussions about its use as a tool for political social media marketing and branding; the challenges to distinguish between facts and lies; and one’s own responsibility to respond (or not to respond) to unsettling responses to one’s own posts.

Video of student answering why he signed up for this course

Like last year, the second half of the semester has been dedicated to the videoconferences with our German interview partners (see my Engage blog post). This year, I have had a larger group or students, raising some of the technical issues that we had discussed during our Technology Workshops throughout the year, so I felt well prepared to address them (as always, thanks to Laura Little for her support!). This semester, we Skyped in a young female refugee from Syria, two volunteers from a private reception center for refugees in Lübeck, a teacher from Hamburg, the organization “Flow” from Lübeck that offers programs for young refugees; and a lawyer who volunteers his time to help refugees with their asylum applications. Our final interview with “KidzCare Lübeck“ is scheduled for May 3rd, focusing on the special situation of female refugees.

On Wednesday, May 10th, we are going to have the public “launch” of our collaborative WordPress site. You’re welcome to join us from 11:50-1:00 at the Visualization Wall in Shain!

Digital Storytelling on and for the Environment


Recently I met with Siri Colom, C3 Doctoral Fellow in Environmental Studies, to discuss an interesting project she incorporates into SOC/ES 329: Sociology of the Wild. Students are asked to critically think about what “nature” is, and how “our conception of it is socially and culturally based, and how it might preclude us from understanding the world around us.”

To demonstrate that they are engaging with these themes and to connect philosophical and theoretical reading to lived experience, Siri developed a series of digital story projects for students. Pedagogically, the goal is to get students interacting outside of the classroom using multiple senses and to think about audio literacy as they pull their pieces together. She employs podcasts as the medium for storytelling, an interesting juxtaposition of nature and technology.  

The three podcasts projects are scaffolded and build in complexity – both in content and technology – over the course of the semester. The first requires students to make a two minute recording that includes one sound and explains a personal connection to the environment. The second requires two sounds and students describe a historical example. The final podcast is 10 minutes or less, requires interviews with two experts, and includes sociological analysis. The podcasts are shared publicly through a website Siri created in WordPress for the class.

With several semesters of the class creating podcasts, Siri now asks students to record 30-second summaries of the class readings so that they are engaging with audio in all aspects of the class. In addition, one student enjoyed this medium so much that she is creating a series of podcasts for an independent study with Joyce Bennett. 

Asynchronous Collaborations: Using Google Docs to Facilitate Working in Community

This semester Ariella Rotramel and I are engaging in community-based teaching and research. In order to work efficiently in our collaborations with community partners, we have both turned to Google Docs as an important tool. This post describes how each of us use use Google Docs in this work.

Joyce

IASC LogoMy course, ANT/LAS 431 Globalization, Transborderism, and Migration, is partnered with an organization I have a longstanding relationship with, the Immigration Advocacy and Support Center (IASC) in New London. Students are working on two projects: creating bilingual Know Your Rights materials for our local community and  interviewing immigrants that IASC has supported through the legal system. Students will write synopses with selected quotes for IASC’s newsletter to highlight success stories. The interviews also provide data that IASC can use in grant applications. Finally, these interviews will provide me with research materials for my long-term research project on the local migrant community and the non-profits they interact with.  

Google Docs has been essential to creating and editing the materials that are at the core of these projects. First, IASC members logged into Docs and commented on the course syllabus as it was being designed. IASC’s direct input into the syllabus follows best practice guidelines for community learning courses. Google Docs allowed IASC collaborators to comment and co-design at times that were convenient for them, enabling us to make progress without meeting in person. While in-person collaboration is key, many of the challenges our partnership faces is finding times to work together given that we exist in two rather distinct work-cultures: academia and nonprofit service sector. This kind of collaboration and co-designing never would have been possible without Google Docs technology.

Most recently, students have used Google Docs to create Know Your Rights materials for our local migrant community. Google Docs has allowed us as a group to share materials already created (such as materials from the ACLU). We were then able to adapt pre-existing materials to the needs of IASC. Collaborating on Google Docs allowed students to share the responsibilities of formatting issues, and it allowed IASC to comment on our work as we went along. That kind of valuable feedback saved us time, as IASC was able to guide our work effectively and quickly.  

Finally, students will be using Google Docs to share their interview transcripts and field notes. Students are completing interviews in pairs, which means using Google Docs facilitates their collaboration. More importantly is that using Google Docs is a convenient way for me to archive the data produced by this class from year to year. A word of caution: be sure to own all of the documents, because if students own the documents and graduate, one could lose access. Barring this particular issue, using Google Docs to archive the data has been convenient  because I cannot misplace it and, more importantly, IASC always has access to the Drive. This means they can access all the data our partnership has produced whenever they need it, which again, is in line with best-practices for community partnerships.

Ariella

Fresh LogoI have been engaged with FRESH New London over the past year as a volunteer and board member. As FRESH began to explore the possibility of a youth participatory research project (YPAR) to tell New London food stories (related to questions of access, inequality, and culture), it became clear that I could help develop this idea into a collaborative research project that would address FRESH’s goals and draw on my experience with community-based research. Over last fall, I worked with FRESH staff to develop an IRB for the initial stage of the project, mapping New London’s food resources using Google Maps. This semester we are working together with youth as co-researchers, meeting weekly to design, collect, analyze, and map information related to New London and food.

I used Google Docs to share initial academic articles on YPAR and food stories, and FRESH reciprocated by sharing existing grants and other materials. Together, we were able to mix in-person meetings with Google Doc work to develop the IRB proposal and all of the related documents. As we received feedback from each other and then the Connecticut College IRB committee, we used Google Doc to make changes, give comments, and  track this work easily through the “see revision history” function. After the project was initiated, we continue to use Google Docs to share materials including brainstorming notes, research links and PDFS, as well as using Google Spreadsheets to track  research findings.

Final Thoughts

Overall, using Google Docs for our community collaborations allows us to follow best practices for community engaged learning because it facilitates input from community partners and community partner’s access to the data we produce. If planned, using Google Docs can also cut down on the amount of coordinating and administrative work the instructor has to do in community learning courses, which can be a barrier to engaging in this important and fulfilling work.  

Using Selfies to Increase Student Engagement

Connecticut College hosts many events (panels, lectures, shows, concert, etc.) that help students engage more deeply in the curriculum and community. In the Music Department, we host dozens of concerts a year and require students to attend a certain number of them as we believe that being in the audience and listening to live music is an essential element of one’s music education.

In the recent past, we collected signed hard copies of the programs as evidence of attending, and those programs would end up in the recycle bin in my office. This process of reporting concert attendance is standard practice across the country. Using this system, I found that sometimes concert venues ran out of programs. At other times, students might forget to get a program or would lose them, or students would take a program without attending the concert. However, it dawned on me that one of the goals was for the students to have a keepsake/souvenir or to have a reference for future repertoire possibilities. So, to facilitate these goals, I started using the selfie system. (Thanks to Jessica McCullough for this idea!)

Last term, I piloted this new method of checking concert attendance. My students were given two options: 1) obtaining and signing a program or 2) taking a selfie of themselves in the hall and send it to me via email by midnight. I lightheartedly mentioned that they would get extra points for posing with an artist. I had an overwhelmingly positive response to the new option.  When I opened my email the next morning, I had the pleasure of seeing almost all of my students’ smiling faces in my email inbox. Only one student chose to turn in a hard copy of the program. (Note, while I asked the students to submit their photos through email, you could also have them submit them through Moodle. However, this means one more extra step for them in sending you the file.)

In the future, I will augment this assignment by having students send their selfies to a closed Facebook group and ask them to post comments about their concert experience as it relates to the material we are covering in class. I will also have them comment on other people’s comments to create discussion. I hope this additional element will help further bridge the experience between the event attended and the concepts being discussed in class.

Google into Moodle

About a year ago, I shifted my course syllabi to Google Docs as a strategy for more nimbly handling the inevitable hiccups and improvisational changes to scheduled meetings during the semester: snow days; opportunistic class visits by colleagues and other scholars; newly published research addressing course topics; etc..  As a result, any updates to syllabi are immediately available to students and other course participants.  You can read more about this here.

For similar reasons, I’ve since shifted to using Google Docs for all of my lab and other assignment instructions.  Whenever I correct a typo or tweak an assignment parameter, the changes are rendered in real time, and I don’t have to convert the doc into a PDF, upload to Moodle, and delete or replace the old version.  Fewer steps, fewer keystrokes, fewer headaches. Huzzah.

I might even consider shifting my courses entirely to Google Drive – for example, check out Ari Rotramel’s approach – but I’m a huge fan of Moodle’s online submission tools, gradebook, and quickmail features; I find all indispensable to my pursuit of less paperwork, less email, and a streamlined workflow during the semester.  But Google Drive and Moodle can happily play together.  Links to Google Docs, Sheets, and Maps are easily curated on Moodle with other course content and, when properly framed, all of these apps facilitate and enhance student collaborations in ways that are seldom afforded by other software.

Recently, in a moment of glorious nerdiness, I figured out how to take this simpatico relationship one step further, or how to display the contents of a Google Doc in Moodle.  My simple goal was to have my Google Doc syllabus display – not as a link but, rather, the actual contents – near the top of a course Moodle page.  In effect, the syllabus becomes the digital center of all digital content and workflow while retaining its autonomy as a document that can be shared with colleagues or added to a tenure or promotion file.

The path to embedding the Google Doc into Moodle is not overly complicated, but it does require a dive into various menu commands and a minor tweak to some HTML code provided by Google.  For those who take the plunge, here’s a brief video tutorial as well as some step-by-step instructions and notes:

  1. Open up your Google Doc in one tab of your browser and your course Moodle page in another.
  2. Make sure that your Google Doc is shared or, at minimum, viewable by anyone who has the link.
  3. In your Google Doc app, select “File” from the menu bar, and then select “Publish to the web”.  (Make sure you’re selecting from the menu in the Google Docs app and not the upper menu bar that belongs to your browser.)
  4. Click on the “Embed” tab in the window that opens and copy the link. If no code is displayed, press the blue “Publish” button. Copy the code, and then close this window with the “X” in the upper right.
  5. In Moodle, turn editing on, and then select “Edit topic” for one of the major topic sections of your Moodle page.
  6. You might name this section “Syllabus”.
  7. In the Summary box below, select the “<>” button which allows you to edit the HTML source code.
  8. Paste the code you copied from Google.  

Some tips and code for making more screen real estate, making the document editable in Moodle, and for loading up on bookmarked pages in the embedded Google Doc below.

Deconstructing out-of-class discussions

This post will be an expansion on my earlier thoughts on developing a platform for out-of-class, discussion-based assignments. To quickly review, my goal is to “snow-day-proof” my classes and also create a framework for online discussion that I can use for planned or impromptu out-of-class assignments. I envision a three-step process for these assignments: (1) initial reading, (2) on-line reflection through GChat, and (3) collaborative responses to questions on a Google Doc. My goal with this post is to deconstruct the assignment’s various components (listed below), and raise questions to force myself to confront the scope of what it will take to prepare this assignment for actual use.

  1. Content
    While my goal is to develop this assignment in a content-free way, I still have to consider the types of content that I can use. Since I plan to use this activity both for discussions of assigned readings (which will tend to be more challenging and complex, and require advanced reading on students’ own time) and for impromptu snow days that arise unexpectedly (for which readings must be short and easily digestible), I must structure the activity with both of these readings in mind. But will any of the questions that I consider here have different answers depending on which of these two types of readings will be discussed? I must keep this question in mind as I proceed through the rest of the list.
  1. Group formation
    I have recently begun to think more and more about how to optimally put together groups for discussions in class, so I am wondering whether similar (or different) questions have to be asked when it comes to forming groups for online discussion out of class. Should I use the same degree of caution when attempting to achieve gender balance or aptitude balance? Should I use stable groups across multiple meetings or reconfigure groups each time? Specifically, if I want to get the most out of online discussion, would it be problematic, or helpful, to put people together who have never worked together? What are the advantages and disadvantages associated with the tradeoff between familiarity and novelty?
  1. Length of time for the assignment
    To facilitate communication across students in groups, the assignment must have a finite time to be completed. For snow-day-replacement classes, the length of time would naturally be one class period. For discussions of external readings, longer periods of time (but probably not much longer given coordination challenges) might be desirable. But how long is too long? And how will the construction of specific assignments change depending on how long I set aside for the discussion?
  1. Instructions
    The instructions will play a critical role in setting expectations, motivating students and setting the ground rules. What needs to be included in them in order to make the assignment meaningful and facilitate learning? What ground rules need to be established? How can I model successful GChat transcripts and answers to discussion questions?What do students need to be told in order to get them to take the assignment seriously and interact thoughtfully and respectfully with their group members? What do I need to tell them about what I expect the final product to look like, and how should I convey information with respect to how I will be grading it?
  1. Grading
    Speaking of grading, how can I assess the quality of the group’s overall work? What criteria can I use to judge both the final product (the ultimate answers to discussion questions) and the intermediate inputs that lead up to it (the chat dialogue that preceded the ultimate answers)? How can I assess the quality of relative contributions, both in terms of making my own judgment of the work and having students rate their own and their group members’ contributions? I envision a rubric that makes my approach to grading explicit, which will be provided to students along with the assignment’s instructions.
  1. Providing feedback to students
    After collecting the assignments, what feedback should I provide, both with respect to the work produced and the quality of the discussion? Should I spend class time debriefing? Should I provide written feedback and, if so, should it be specific to each group or general? Should I share specific responses to the entire class? Will the answers to these questions depend on specific readings?
  1. Learning and adjusting
    Once the work is collected and graded, how can I assess the quality of the assignment? How will I know whether learning goals were achieved? How will I know whether changes need to be made? Given successful and unsuccessful experiences, what should I be looking for in terms of readings that I can use for this assignment in the future? Reflecting on all of the questions, from all of the topics in this list, how will I know if there are things I can do to improve across all of these areas?


In future posts, I will turn my attention toward answering these questions. But this preliminary exercise has made me realize that I have my work cut out for me, and that I could benefit immensely from other tech fellows’ perspectives on these questions. So any help would be much appreciated!

“Clear Vision” flickr photo by C.P.Storm https://flickr.com/photos/cpstorm/167418602 shared under a Creative Commons (BY) license

Filling in the Gaps Together: International Women’s Day Wikipedia Edit-A-Thon

Rose Olivera introducing the edit-a-thon

By Lyndsay Bratton, Rose Oliveira, Becky Parmer, and Ariella Rotramel

On Wednesday, March 8, we hosted the first annual International Women’s Day Wiki-Edit-A-Thon in Shain Library’s Advanced Technology Lab (ATL). International Women’s Day is observed throughout the world on March 8 and in some countries it is a public holiday. While celebrations in some countries include bringing women flowers or celebrating with a women’s night out, the day has a political history that resulted in this year’s call for a women’s strike in the United States.  International Women’s Day provides an important opportunity to reflect on ongoing gender inequality and the ability of women and allies to act to make change. Editing Wikipedia collectively provides one platform for responding to issues of gender inequality.

According to the 2011 Editor Survey, 91% of Wikipedians are men. Not only does such a homogenous editor force yield a body of work that reflects a limited scope of perspectives, but the survey also found that the relatively few women editors each make far fewer edits than men editors. Wikipedia Edit-a-Thons are staged periodically around the world, and often focus on reversing such trends by bringing women editors on board to fill in gaps in content related to women’s issues and women in history. A great example of one such initiative is the Art + Feminism Edit-a-Thon.

To address these issues of gender bias, we held an International Women’s Day Wikipedia-Edit-A-Thon. Edit-a-thons are events where newcomers and experienced Wikipedians alike come together to learn and participate in editing. Everyone was welcome and no prior editing experience was needed to participate. We had 13 people attend the evening’s event to create or improve articles on women and related topics.

Faculty, staff, students, and community members at the edit-a-thon

Rose Oliveira, Becky Parmer, and Ariella Rotramel started the event by talking about the the gender issues that face Wikipedia and how Ariella has used Wikipedia in her feminist theory class. Becky and Rose then reviewed the Five Pillars of Wikipedia to ensure that editors understood how to carry out their work effectively. Rose demonstrated how to create content on Wikipedia and the basics of editing. Andrew Lopez and Ashley Hanson shared a set of library resources they curated to help participants get started in their work. We also linked many resources on our Wikipedia libguide to assist editors in moving into editing.

Articles edited or created during the edit-a-thon

For the remainder of the time, we dove into the work. People chose to either collaborate in teams or work by themselves to research, create or improve a variety of articles. They contributed citations; rephrased poorly written sections; added new content to existing entries; and began work on developing new entries. All of these actions help improve Wikipedia by creating or strengthening content that relates to women and other underrepresented groups. In the last 10 minutes, everyone added their entries that they worked on a whiteboard: Lois Gibbs; Mary Foulke Morrisson; 16 Days of Activism against Gender-based Violence; Trans Day of Action; Caroline Black; Avtar Brah; Beatrice Cuming; and Marie Hoppe-Teinitzerová. We concluded the evening by taking turns sharing the woman, organization, or event that they worked on. It was rewarding to see what we were collectively able to do in a short amount of time.

As a result, on the third Wednesday of every month, we have decided to hold an informal Wiki Meetup or “Wiki Wednesday” at The Social at 5:15pm. We welcome new and experienced editors! To check in about the meetup, please contact Rose Oliveira (roliveir@conncoll.edu). For more information about working with Wikipedia in the classroom, please contact your instructional technologist or library liaison.

Digital Portfolios: Showcasing Both Process and Product

On the last day of class during the final exam period, students enrolled in my Costume Design and Construction course are allotted thirty minutes to get into costume, hair and makeup before formally presenting their looks to the class and posing for a photoshoot. Each student’s best photo is posted, with permission, in an album on the CC Theater Department’s Facebook page, which typically garners between 800 to 1300 views, making it one of the department’s most popular annual postings. These photos, however, only convey a fraction of each students’ journey through the design and construction process, and fail to adequately shed light on the weeks each student spends researching, designing, and constructing their fabulous, conceptually-driven looks.

Enter digital portfolio applications.

My goal this semester is to find an affordable and user-friendly digital portfolio application that will allow students to showcase their visual research, sketches, process shots, and final photos in a visually sleek way. After investigating several options, I plan on sharing my top three choices with students so they can weigh in on which portfolio application(s) they think will work best for them. To keep the class on track, it will be crucial for me to regularly set aside class time for students to photograph and upload images onto their DELI iPads, walk them through the portfolio curating process, and help them with general troubleshooting issues as needed. I’m looking forward to this challenge and am currently investigating the following applications:

Before the break, I revealed to my students that I wanted to add a portfolio component to the final project and they responded very favorably. Many even expressed an interest in including their previously completed costume renderings for Sarah Ruhl’s, Eurydice in their portfolios as well. I am very open to this idea, but will not include it as a requirement. Instead, I will heed the advice given to me by the leaders of the Technology Fellows program and take it slow, especially during the introductory phase of this experiment – wish me luck!

The perfect textbook is possible! Tools for creating or customizing textbooks

American History textbook based on American Yawp and created using iBooks Author

We’ve written a lot about open educational resources (OER) on this blog, in addition to presenting at regional, consortial, and national  meetings. One area we could explore further is the ability to customize true OER. Don’t like a chapter? Edit it, or simply remove it. Don’t like the order material is presented? Reorganize it so that matches the way you teach. Like some parts of one text, and parts of another? Mash them up to create your own.

A quick Google search reveals that there are hundreds of platforms and software options that allow you to create your own textbook from existing OER. This post focuses on four inexpensive (or free) tools that we have experience using. We also want to point out that this is only one step in successfully implementing OER into a course, and that members of the instructional technology team are here to assist you through the entire process!

  • iBooks Author is a free app that allows you to create ebooks and either export them as epub files and share with students, or make them available through the iBooks store. This software makes it very easy to incorporate multimedia content – image galleries, movies, multiple-choice questions, and more. You can even add interactive widgets to your books such as maps, 360 degree panoramas, and timelines. Note that your students will need to have software that can read epub files, but there are free options we can recommend.
  • Scalar, a free online platform built by the University of Southern California, is a favorite authoring platform of digital humanists who wish to create long-form, born-digital content. Its structure is flexible, allowing for multimedia-rich, non-linear texts. Scalar does not require you to install or use any specialized software – all editing is done online. If you want students to access your course materials online and you have a lot of multimedia content, this is a good choice.
  • Pressbooks is book production software, but you don’t have to create a print book. If you have used WordPress, the learning curve will be small. I found the different templates to be attractive, and was pleased with the ease of reorganizing my book’s content and the ability to select page-level copyright licenses. Also exciting is the Hypothesis plugin so students can highlight, add comments, and take notes while reading! While it is free to use the platform and distribute your text online, it does cost money to publish your book in epub and pdf formats without watermarks (from $19-$99). There is also an option to order printed copies.
  • Blurb is an inexpensive option for creating professional-looking books that can be easily shared as pdfs. Blurb also has many print options if you wish to professionally print copies of your textbook. The free online editing tool, Bookify, is user friendly and offers many different page templates. The cost to create an ebook is free, but to export it as a pdf, you will pay a one-time fee of $4.99 per book. Note that every time you update the book, you’ll need to pay $4.99 for a new pdf version.